The Wuthering Heights casting controversy isn’t about Robbie and Elordi — it’s about Emerald Fennell
Review
Sam Mathews Boehmer says there is Rome for improvement in this Ridley Scott sequel
Film Review
Amanda Ljungberg finds Anora bewildering and endearing
Column
For the second instalment of Global Frames, Stella Williamson celebrates her home nation.
Watchlist
Ismail Sheikh recommends the forgotten tv shows of the last decade
Opinion
Salome Gakwaya questions the value of reality TV’s often imperfect depiction of love
Opinion
Summer is the best time to savour lengthy movies, argues Gemini McKee
Feature
Hilerie Kwan investigates whether the gendered ageism of the romcom has finally been overcome
Opinion
Syna Majumder finds hope amid the depressing world of subscription platforms
Opinion
Xin Shackleton questions whether the Leaders’ Debate is as democractic as it’s cracked up to be
Review
Garland’s latest film follows photographers caught in the moral crossfire of documenting war
Opinion
Gina Stock urges moderation when it comes to our beloved comfort shows
Event report
Alex Brian reviews the documentary screening and Q&A at Arts Picturehouse
Interview
Syna Majumder speaks to the Film at Jesus co-presidents about student film competitions
Opinion
Miranda Crawford wonders if we’ve forgotten how to grieve a break-up
Interview
Anna Geary chats to the students behind Watersprite-nominated film Beresheith
Roundup
Anna Geary offers a taste of the college film society events happening this term
Review
Georgia Finucane celebrates the silliness of the romcom genre’s latest blockbuster
Interview
Olivia Townsend discusses the intricacies of approaching stories about conflict with filmmaker Mimi Vlaovic
Our writers give their quick-fire reviews of what you should watch this week
Interview
Heidi Atkins talks to Tirza Sey about her upcoming documentary Cam Uncut
Review
Our writers give their quickfire takes on the best and worst in cinemas and streaming now!
Interview
Ella McCartney talks to the Cambridge Film Festival’s programming lead, Elle Haywood, about this year’s film selection and her advice for festivalgoers
Review
Olivia Townsend argues that [a] bigger [cast] isn’t always better 3.5 stars
