Retrospective
At its core, the early 2000s queer drama is about community
Feature
The Traitors presenter embodied Cambridge’s ‘work hard, play hard’ mentality
Event Report
At the first screening of the Cambridge Palestinian Culture series, Anna Geary explores how Spaces of Exception evolves with the present, as told by co-director Malek Rasamny
Feature
Syna Majumder reveals all about the team behind the world’s largest student-run film festival
Watchlist
Your relationship status might be ‘it’s complicated’ but choosing a film doesn’t have to be
Review
Yorgos Lanthimos’s erotic sex-comedy is alluringly grotesque and abhorrently enchanting
Interview
Olivia Townsend talks to the young talents behind a Brooklyn-based, all-female, all-queer filmmaking team
Guide
Olivia Townsend takes us on an ‘eras tour of Cambridge’s contributions to film and TV’
Cathryn Kirk is dreading this tidal wave of ‘buy’opics and, frankly, it’s making her a (t)ad nauseous
Interview
Sam Allen sits down with Elena Martín Gimeno to discuss her Cannes award winning film
J. Fardon lauds Stop Making Sense as the greatest concert film of all time
Review
Genevieve Badia-Aylin revels in the camp-gothic thrills of this latest Poirot outing
Opinion
She was Fleabag before Fleabag existed… and she stands the test of time
Opinion
Miranda Crawford praises Greta Gerwig’s Frances Ha as a love letter to not having it all figured out just yet
Opinion
Min-Kyoo Kim considers the ethical implications of representing nuclear fallout in Christopher Nolan’s latest film
Opinion
Sam Allen mourns the downfall of one of Netflix’s most talked about shows of the last decade
Opinion
HBO’s acclaimed comedy-drama has come to an end – our writers reminisce on its final episode and consider the cultural impact of the show as a whole
Interview
Matthew Doyle sits down with first year student Sameera Bhalotra Bowers to discuss her short film, Michaelmas
Review
Heidi Atkins lauds Kelly Fremon-Craig’s poignant coming-of-age story
Opinion
Michael Elizabeth explores the role of artificial intelligence in the ongoing WGA strike and why we should support writers.
Our appetite for film and TV is as large as ever, so why do none of us know what’s going on?
Student Filmmaker Spotlight
Alice Burton chats to Anglia Ruskin graduate and director of new and polemical student short film The Quiet Truth of Moneytically Correct
Review
Women Talking is clever for about five minutes, Heidi Atkins argues
Opinion
When Channel 4 was threatened with privatisation, there was national outrage; Alice Burton tells us why