Discovering Caine at Clare Hall
The first Frost of winter
Ways of seeing: in conversation with the ARCSOC life drawing community
Review
Ryan Vowles reviews the recent exhibition, ‘Everyday Wonder to Revelation’
Feature
Flora Dodd considers human intervention in AI art
Opinion
Sydney Heintz reflects on how flags symbolise and problematise identity
Review
Ella Howard is reminded of the importance of rest at Murray Edwards’ exhibition, The Sleepers
Feature
Beatrice Tharme examines the influence of Nabokov’s novel, and the endurance of child sex abuse in the Arts
Off the bookshelf
In this column, the Arts editors discuss Wordsworth’s description of his time at St John’s
Opinion
Morvern Scrivener implores us to value the arts
Opinion
Emma Gower considers why, and how, the literary canon can be broadened in the 21st century
As Bruegel reframed the hubristic myth, Mia Apfel seeks to reframe term
Review
Aaron Tan recalls his visit to a Kettle’s Yard exhibition
Interview
Johana Trejtnar quizzes Cambridge illustrator Roxana de Rond about making art about quotidian matters
Opinion
Rachel Jones recounts her experience at a Cambridge open mic
Opinion
Heather Leigh questions whether poetic genius is limited to humanity
Feature
Jasper Finlay Burnside thinks of home, Cambridge, and the gulf between the two
Opinion
Holly Higham asks how museums hierarchise history
Opinion
Otto Bajwa-Greenwood surveys the impact of Salman Rushdie’s controversial novel on British multiculturalism
Feature
Niall Quinn looks down the lens of Cambridge student photography
Artist and Me
The impossibility of replicating the work of the artists we love
Preview
Ezra Izer sits down with the organisers of a groundbreaking exhibition at Caius, challenging tradition while raising funds for Clarissa’s Campaign and Cambridge Pink Week
Ellie Buckley sees past Robinson College’s concrete exterior and inspects the art held within
Feature
Juggling criticism and creativity, Nabiha Ali reflects on the trial of personal writing during term-time
Opinion
Bryony Clarke discusses how Cambridge’s ancient architecture can feel like it would rather keep some students out than let them in
Opinion
Emily Cushion argues that we must foreground the Arts, even if those branches lead to uncertain ends
Feature
Reconsidering grammar schools through The History Boys
