The absurdist antics of Xhloe and Natasha 
Why the message belongs to the audience
Interview
The famed Fringe duo sit down with Josh Pritchard
Opinion
The meaning of a play, Eleanor Baldwin argues, lives in the dialogue of its audience
Feature
Leon Rake questions the politics of queer theatre in Cambridge
Interview
Kate Woodman sits down with Footlights member Helen Brookes to discuss Smokers Events, her first time doing sketches and the importance of women in comedy
Opinion
Millie Wooler praises the efforts of the performances ditching the CD for the real thing
Opinion
Millie Wooler questions whether Renaissance theatre is still quite so relevant as CamDram would have you believe
Leon Rake thinks Cambridge theatre is more important than ever – even as most stories are streamed, swiped, or skipped entirely.
Review
Age cannot wither this musical’s utter brilliance
Opinion
Katherine Stockton explores the problematic implications of Alan Bennett’s The History Boys
Review
This ambitious play provides much food for thought, even if its material proves a little too daunting
Feature
Lillian Jones dissects the experiences of four finalist thespians, pulling back the curtain on the highs and lows of Cambridge theatre
Interview
Zach Lonberg reports from London, where Cambridge alums Nicholas Hytner and Helen Castor talk Richard, Shakespeare, and Bailey in The Conversation
Opinion
Exploring the complexities of mental health on stage can be instrumental to de-stigmatisation, but comes with its risks
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/320/180/51379.png)
Opinion
Millie Wooler wonders whether we really need a ‘wooden O’
Preview
Chloe Chapman-Deas talks to the creative team in charge of this year’s CUOS Mainshow at the West Road Concert Hall
Review
Josh Pritchard finds Ill-Divining Souls to have a lot of potential, but it fails to make much of an impact
Preview
In time for LGBTQ+ history month, Shan Tan-Ya interviews the directors of The Laramie Project
Review
Emotional, if occasionally saccharine, there’s no greater recommendation for this show than the enthusiasm of its audience
Camdram Diaries
Julia Slawska shares her experience of converting her passion for fashion into a Camdram costume designing gig
Opinion
Milly Kotecha breaks down the fear and tremulation behind the most daunting of theatre practises: the self-tape audition
Opinion
What can gender-swapped Shakespeare tell us about the limits in our understanding of gender?
Josh Pritchard shares what his first Camdram rejection taught him
Jack Marley gets candid about taking a step back from Camdram
Review
Mirror, mirror, on the wall, what’s the worst panto of them all?
