In praise of freshers’ plays
The sultry illusions and shattered selves of A Streetcar Named Desire
REDS returns from the wilderness
The curtain rises again for the Preston Drama Society
Feature
There’s no better way to make a start in the Cambridge theatre scene than with a freshers’ play, writes Elsie Hayward

Interview
Eleanor Baldwin meets the two faces of Trinity Hall’s college theatre: Martha Alexander and Thomas Gladstone

Review
Eva Sharkey’s Orlando is a colourful, flamboyant, whimsical celebration of queerness, says Elsie Hayward 4/5 stars

Feature
Balancing theatre with you degree doesn’t need to be difficult, argues Daphne Stavride

Daisy Bates recalls a month spent taking Macbeth on the road

Fringe Diaries
Lorna Beal sits down with the creators of the critically acclaimed Cambridge fringe show

Feature
Shan Tan-Ya sits down with three MPhil students to discuss their experiences in Cambridge theatre

Interview
Kaitlyn Butterly sits down with acclaimed freshers stars Jude King, Kaitlin Pryce, and Rosie Nicol to discuss their first year in Cambridge theatre

Unsure of what shows to see during the UK’s biggest theatre festivals? Daphne Stavride has you covered!

Preview
Daisy Bates talks kazoos, woods, and collective nostalgia with co-directors Matti Breje and Emily Megoran

Review
Leon Rake finds Half-Baked rich in effort but short on substance, a one-woman show with more fizz than form

Opinion
Kate Woodman interrogates the reasons behind the lack of a theatre degree at Oxford and Cambridge

Review
A fantastic student-written piece about the life of Theodora grapples with a restrictive space

Preview
Kaitlyn Butterly sits down with Toby Trusted to discuss the complexities of gender swapping

Review
This play doesn’t lack ambition – which is somewhat to its detriment

Feature
Bethinn Feely talks with BATS Technical Director Finlay Wyer about his aim to change the working relationship between ‘techies’, actors, and production teams

Preview
Eimear McElduff chats to the team behind By the Way, Meet Vera Stark, bringing Lynn Nottage to the ADC for the first time

Review
Leon Rake finds L’incoronazione di Poppea beautiful and engaging despite the long runtime

Review
This year’s BME Marlowe is a cause for celebration, despite some rough patches

Opinion
In recent years, local theatre has generally had a steep decline in patronage, so it’s more important than ever to give your local its dues

Feature
Chloe Chapman-Deas gives a run-down of the chaotic procedure of the CUMTS 24 hour musical

Opinion
Millie Wooler discusses whether Cambridge’s theatre scene is all it’s cracked up to be