Opinion
Bethinn Feely reveals how being a steward is Cambridge’s theatre’s (worst-kept) secret
Opinion
What can gender-swapped Shakespeare tell us about the limits in our understanding of gender?
Review
Joe Short sees much to admire in this student-written one-woman show – despite some flaws3.5 stars
Jack Marley gets candid about taking a step back from Camdram
Review
Cyrano de Bergerac is an elegant production that creatively presents spoken word theatre
Review
After a rocky start, Negotiating With the Dead strikes gold.
Feature
Lily Butler argues that an extra pair of eyes really does make all the difference
Review
Showing at the Arts Theatre, this crime classic delivers on the comedy – but where’s the intrigue?
What's on
A new year, a new term, and a new flurry of Camdram shows to sink your teeth into
Review
This year’s CAST play speaks, strikes, and redresses our hiatus from Cambridge theatre
From a place of strong personal experience, Gina Stock evaluates the successes and failures of incorporating dance into student theatre
Opinion
Milly Kotecha imagines the benefits a new system of theatre companies could bring
Review
Iris Jopp is impressed by (very nearly) all elements of this darkly comic musical
Opinion
A month away from Camdram leads Elsie Hayward to reflect on the joys of the Cambridge theatre scene
Camdram Away from Cambridge
Feature
Molly Shepherd imagines how five popular TV shows would work on the stage
Interview
Jennifer Chen turns the lens on the amateur photographer known to all of Cambridge theatre
Feature
Jack Marley speaks to those with firsthand experience of the wild world of fake blood effects
Ranking
Alex Brian counts down the best costumes from a year of student theatre, speaking to those sat behind the sewing machines
Review
This modern take on Cao Yu’s classic drama is bold and refreshing – if not always thoroughly electrifying
Review
Penelope Quadrangle and the Meaning of Friendship is a charming piece of theatre that doesn’t demand we take it all too seriously.
Review
Jay Palombella finds this bold reimagining of the Jonson play clever and creative
Review
Jude Christian’s adaptation leaves its audience lost at sea (and that’s exactly what she wants)
Review
This farce-come-pantomime will have you laughing and affectionately groaning in equal measure
Review
Poppy Gibbs praises the event for its variety, showcasing of talent, and treatment of theatre as a work in progress