Jazz, secrets, and splendour in CUMT’S The Great Gatsby
A look behind the spotlight
Private Lives is a campy, slapstick delight 
A Breakfast of Eels is quietly stunning
Review
Ella Hardy argues that this production captures the glittering excess of the Jazz Age
Feature
Nabiha Ali reflects on her experience as a followspot operator in last term’s Jack and the Beanstalk
Opinion
Daisy Simpson explores the place of sex, drugs and graphic images on the student stage
Feature
As Sondheim’s classics prepare to take the stage this Lent, Daphne Stavride reminds us of the man behind their magic
Opinion
Barney Sayburn makes the case for site-specific theatre
Feature
Ahead of a run at the Cambridge Corn Exchange, Eleanor Baldwin muses on how this classic ballet became bound up in Christmas
Opinion
After an extensive term of performing, Gabrielle Kurniawan reflects on what it has taught her about love
Interview
Kate Woodman sits down with the tour managers behind CAST
Review
A Bright Room Called Day is a stylish, thought-provoking piece that deserves your attention
Preview
Eleanor Baldwin looks ahead to this upcoming student epic
Daisy Simpson talks to the writer of The Sixth Commandment
Preview
Josh Pritchard sits down with director Henry Jaspars
Opinion
Daisy Simpson reflects on the risks of adapting Shakespeare plays
Interview
The famed Fringe duo sit down with Josh Pritchard
Feature
Panicking ahead of your first show? Kate Woodman is here to help!
Feature
Leon Rake questions the politics of queer theatre in Cambridge
Feature
Ever wondered about applying for one of the most under-discussed roles in CamDram? Kaitlyn Butterly has you covered!
Opinion
Millie Wooler praises the efforts of the performances ditching the CD for the real thing
Feature
Varsity‘s Theatre team take a look at the unsung heroes of any good Cambridge production
Leon Rake thinks Cambridge theatre is more important than ever – even as most stories are streamed, swiped, or skipped entirely.
Preview
Daphne Stavride sits down with Trinity College’s playwright-in-residence to discuss her upcoming play, MESSIAH
Opinion
Katherine Stockton explores the problematic implications of Alan Bennett’s The History Boys
Opinion
Josh Pritchard discusses the importance of accessible theatre experiences and the
Feature
Lillian Jones dissects the experiences of four finalist thespians, pulling back the curtain on the highs and lows of Cambridge theatre
