Ibsen’s Ghosts transfixes the Corpus Playroom
Booze and bands: a look ahead to Brassed Off
Macbeth makes a tragedy of the body itself
Lend me your ears… and your accents
Review
This slow-burn production, underset by haunting cello music, combines incredible performances with sharp technicality
Fringe Diaries
Emily Knutsson ruminates on the nature of jealousy and academic competition
Feature
Eleanor Baldwin reflects on the joys of outdoor Shakespearean theatre
Feature
This innovative genre prioritises more than just sight and sound
Millie Wooler meditates on Bradford’s contributions to theatre
Leon Rake questions whether reviews are an unnecessary strain on peer relationships
Feature
Leon Rake breaks down the intricacies of dating a thespian, offering a few words of wisdom (and some ibuprofen) along the way
Feature
Kaitlyn Butterly hosts a costume designer roundtable
Opinion
Leon Rake thinks Cambridge theatre is more about being seen than truly watched
Preview
Daphne Stavride sits down with the team behind the highly anticipated CAST tour
Despite grappling with some engaging ideas, Josh Pritchard isn’t quite convinced by this surrealist adaptation of Austen’s life
Review
Millie Wooler finds both highs and lows in Me and My Year of Casual ‘Monasticism’
Hollywood hits Cambridge in this easily-overlooked treat
Opinion
In a tense political climate, Millie Wooler argues musical theatre is more relevant than ever
Review
Despite (or perhaps because of) its lingering ambiguity, Friends of the God delivers a visceral, unsettling experience
Review
Leon Rake thinks Sola is what it means to touch emptiness – to realise that absence is never truly empty, but full of echoes that refuse to fade
Review
This ambitious student-written piece examines the friendship between painters Lucian Freud and Frank Auerbach
Review
Caryl Churchill’s masterpiece reminds us that environmental disaster is never ‘far away‘
Opinion
From inappropriate laughter, dropping a metal water bottle, and unwanted heckling, the audience is often the most surprising part of a performance
Review
Josh Pritchard finds that Wild Swimming lives up to the ‘wild’ in its name, even if by the end the action can get repetitive
Feature
Josh Pritchard shares his pearls of wisdom with fellow budding Camdram playwrights
Review
This sad, wickedly funny play is diligently staged and performed
Feature
Within the positive movement towards more opportunities for BME actors, Emma Mai-Yun Dawes considers the place that racially ambiguous actors hold
Round-up
What did theatre writers, editors, and causal viewers think of Camdram last term? Which show had the most laugh out loud moments? Which lead had the performance of their career?
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/320/180/51379.png)
