An Elegy to your Austenian Romance
Emma Robinson employs her poetic skills to respond to the Twitter outcry of devastation after Andrew Davies’ ITV series adaptation of Jane Austen’s unfinished novel, Sanditon.

Bodice-rippers and breathiness,
soaked-through-shirts and silent obsession
bordering on stalkerish, till we reach a cathartic confession,
and may we just swap
out that crafted wit
for the elusive expressiveness of a bitten bottom lip?
Let me just stress this,
as a truth universally accepted,
we’re not having anything less than
completely-expected-unexpected love which hangs on
a thrown-out glance pulling us into a trance.
As their hands meet and linger in the one compulsory dance,
leaving us spinning as their chests keep heaving,
hold that thought, hold that breath, hold that frame on pause
while I finish my wank,
and thank the immortalised image on the £5 note
that she wrote something timeless-
-Even though it might not have ever, or never will, exist.
That’s what I want:
escapist blissfulness, long gowns,
conflict may arise,
but it can be no surprise that the closing scene
must always and has always been
a musical score which climaxes as they kiss.
And, as long as this society is consumerist,
I really must insist
that it’s best just to fulfil my wish.
So, don’t challenge me.
You’re defacing a legacy,
while you’re replacing my jealousy
with sympathy
Couples with no more longevity
than a catfish Tinder date pre-puberty.
Please yourself with narratives of realism,
but the appeal of them has a shelf life.
The marriage plot doesn’t ask a lot,
and I’m sure it’s a be all
and certainly end all.
"I will not be begging for a second season"
There is sense and sensuality
in conformity.
If you frustrate me,
I will not be begging for a second season.
I am the watching masses,
and I can switch to Netflix,
for my quick fix.
So, just give me a reason!
I’m not saying creativity is dead,
that experimenting can’t seep into mainstream,
just maybe stay away from primetime-
why not try BBC3 instead..?