Hot off the heels of the panto season, Annie is bringing a sweet, new taste to The Cambridge Arts Theatre this week. Under the direction of Chris Cumming, this upbeat and child-friendly production is packed with familiar feel-good songs, delivered by The Cambridge Operatic Society. First seen on Broadway in the '70s, Annie retains its sense of fun, and reminds us that, even in difficult political times, there is always room for optimism and a bit of singing.

“This band of energetic and sassy kids bring the whole show to life, and when they are not on stage we just want them back”

The outstanding stars of the evening are the fantastically talented young orphans. This band of energetic and sassy kids bring the whole show to life, and when they are not on stage we just want them back. The professional level of performance achieved by these young girls is a credit to everyone involved in the show. They really are the ultimate 1930s girl-group – their singing, dancing and acting could be taken straight from the West End. There is most definitely one little orphan in this gang who will go on to to be a huge superstar.

Starting out in a dingy orphanage, we follow Annie's adventures through New York in hope of finding her parents. Phoebe Poulter-Kerry gives a heartbreaking performance in the title role. She has a gorgeous voice, and juggles a great mix of tomboy-strength, with an honest vulnerability. Her rendition of 'Tomorrow' is the highlight of the evening, where she sings her heart out to Sandy, her new-found canine friend.

The adults provide a strong balance to the youngsters, and the chorus work is slick and strong. Playing a variety of Depression Era characters, from street-folk to the staff of a billionaire, this versatile bunch handles every scene with strength. The choreography is simple and low-key, with the cast confined to stylised movement rather than any big dance numbers. For a show with such a jazzy score, however, there was some scope for more inventive and energetic dancing to brighten up the evening.

“Despite being based on a comic strip, the visual impact of this production was rather underwhelming”

Equally, the very minimal set meant that the orphanage, the streets of New York, and The Oval Office all appear rather identical, with no real distinction in appearance or atmosphere. Despite being based on a comic strip, the visual impact of this production is rather underwhelming. However, left in the capable hands of musical director, Lucas Elkin, both the band and the singers blend well, with some great harmonies and strong individual voices.

Review: Crimes of the Heart

The principal roles were lead with style and charisma by Steve Waring as the billionaire, Oliver Warbucks, and Emma Vieceli as his personal secretary, Grace. Both are superb actors who get right into the heart of their characters. Vieceli in particular has power and charm in her singing, and her acting bares a convincingly warmth. Dan Lane is the energetic radio host Bert Healey, a comedy live wire who provides a terrific opening to the second act.

The show is uplifting and optimistic, and full of songs that you'll want to hum on the way home. While the comedic aspects could have been stronger, and the set could have been more exciting, the energy and talent of this young cast makes for a really enjoyable evening of local am-dram. Although occasionally a little cloudy, the sun definitely shines through in this production. 

ANNIE runs until Saturday 21st January at The Cambridge Arts Theatre