Review

Cinderella is bibbidi-bobbidi-boring

This year’s CAT pantomime isn’t quite a perfect fit

Review

A Mid(winter) Night’s Dream

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Professor Bernhardi is a play of two halves

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Me and My Year of Casual ‘Monasticism’ is almost biblically brilliant

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pool (no water) is eerily powerful 

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The Back-Ups is vivaciously fun

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Mind: The Gap is intensely creative

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Toad Patrol feels timely 

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The Effect is compelling and complex

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Murder on the Orient Express: for those who like their Christie camp

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A Comedy About A Priest: Amen!

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Strangers and Sanctuary in Being Friends 

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Much Ado About Nothing: merriment in May Week

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Oedipus Tyrannus is not the mother of all performances

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Thunderstorm charges onto the ADC stage

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Penelope Quadrangle has it all

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Jellyfish Brains sees and feels everything

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Salomé will leave you shaken

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The 39 Steps makes for a jolly good show

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Cloud Eight and a Half is straightforward fun

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‘If you like this comedy, rise cheerfully’: Epicœne at the ADC

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A star is (un?)born in Skeleton Out of the Closet

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The jury’s not out on Twelve Angry Men

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Egad! The School for Scandal is completely two-faced

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How to Commit Arson in a Loving Way flames out

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The Cambridge Footlights, Leeds Tealights and the Oxford Revue take the Cambridge Arts Theatre

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This is the Big One is ‘way more than half bad’

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Heads, shoulders, Bloody Knees, and comedy pros

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Romeo and Juliet is a spontaneous and moving spectacle

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Eureka! provides more questions than answers

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Orpheus in the Underworld soars

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Blackboard: Rhyme, rhythm and reasoning in the age of identity

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Protest: a family-friendly manifesto for happiness

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Doggerel: Sink your teeth into new student writing

Constellation Street doesn’t take any wrong turns

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Fairview changes what it means to watch theatre

5 Lesbians Eating a Quiche is flan-tastic

The Duchess of Malfi will ‘haunt you still’

The Marlowe Society’s Romeo and Juliet

The Normal Heart

‘Utterly horrifying and a complete privilege’

Review

Merrily We Roll Along sings its way to success

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CUMTS 24 Hour Musical: sleep-deprived stage delight

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The Tempest: a vibrant chef-d’oeuvre

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The Drowsy Chaperone: Wake Up and Get Yourself a Ticket

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Seems Sketchy To Me: Over-long radio play punctuated by flashes of brilliance

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Blue/Orange: A Unique and Poignant look at our dying NHS

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It’s a ‘Scary Old World’… But A Funny One, Too

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All My Sons: A stellar cast makes the best of Miller’s script

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Education Education Education review: unpolished but heartwarming lens into nineties Britain

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The Government Inspector: Standout performances elevate rather static production

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The Haunting of Hill House: Hits the humour, but lacking in fear-factor

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In Black Water: The story is drowned in its visual frills

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In a Cave a Voice: A neolithic storyteller you can’t help but listen to

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Crimes on Centre Court: A hit… with its octogenarian audience

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Femme Fatale: By no means perfect, but wonderfully experimental

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Semele reminds us that opera can be fun

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Chess: Breathtaking cast pull off A-class musical

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‘Self-assured, confident’: Priscilla Queen of the Desert

Seeing Red

‘Bull’ Review

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★★★★★ – You could really see stars being born in this year’s Show Choir

The History Boys review

BirthdA review

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ETG 2018: Othello review

REVIEW

Review: The House They Grew Up In at Chichester’s Minerva Theatre

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Review: Jet Lag and Disappointment

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Review: Footlights Spring Revue 2017: Behind Closed Doors

REVIEW

Review: The Cripple of Inishmaan

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Review: Songs For A New World

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Review: HMS Pinafore

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Review: London Road

REVIEW

Review: Footlights Lady Smoker

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Review: Hot Gay Time Machine

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Review: Cigarettes and Chocolate

REVIEW

Review: Stuart: A Life Backwards

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Review: Lemons Lemons Lemons Lemons Lemons